Variety •

BTS, Blackpink and More: The Year in K-Pop

As each year passes, K-pop develops in new directions, with key moments and moves defining not only the year but also the future. In 2022, long term and newer acts made waves, with music and business decisions impacting what’s to come in 2023 and beyond. New adventures for BTS When BTS announced in June that they’d be taking a bit of a break from group activities, it felt like a pin drop could be heard around the world before a tumultuous questioning of their future. Initially misconstrued — o
Notes on K-pop •

2022 in review: What I wrote

To be honest, I don’t want to write today. That’s sort of a lie, because I have a few ideas for this newsletter and articles buzzing in my head at the moment. But over the last few days I’ve been really frustrated by the state of covering pop culture due to a variety of instances and interactions with other journalists, industry sources, and fans alike. I don’t really want to share my thoughts with anyone, not because of fear of what others think but because it feels absolutely futile; I want t
Notes on K-pop •

I like K-pop storytelling, actually

On Sunday night, November 27, I was at one of the most popular venues in the Tri-State NY area for a K-pop concert, the Prudential Center. Since I moved back to NY from Hong Kong back in March, I’ve been to the venue several times, including for NCT 127, Blackpink, and Stray Kids concerts. None of the previous ones had pirate ships, though. ATEEZ didn’t actually bring a whole pirate ship, for the record, but it felt that way based on cool CGI and staging fixtures. While ostensibly a great ass
Notes on K-pop •

Omega X, K-pop contracts & Hollywood's Golden Age

In recent weeks, there’s been an ongoing situation surrounding the boy band Omega X, with videos and a variety of reports alleging there is a history of long term abuses the members have faced at the hands of their former CEO, and just in general mistreatment throughout their careers (this is the second debut for all of the members). Everything erupted after a rather disastrous tour in the Americas in September and October, which culminated in the band members not having plane tickets to go back
Variety •

Blackpink Mixes Exuberance and Intensity to Dazzle Adoring Fans in New Jersey

What do you do when you’re one of the most popular stars on the planet and get nervous during a performance in front of thousands of fans? Laugh it off and let everyone know. At least, that’s what Blackpink’s members did Monday night at New Jersey’s Prudential Center when their energy was, to them at least, less than typical for a show during their Born Pink world tour. Although their last concert tour in the U.S. was in pre-pandemic 2019, it wasn’t actually so long ago since Blackpink last gr
Notes on K-pop •

The communality of K-pop lightsticks

Tonight, Blackpink will be in the Tri-State area for their first concert in the area since 2019, bringing their Born Pink tour to the Prudential Center in New Jersey. I will also be at the Prudential Center, covering the event. And I will be there with a plastic pink hammer, one of the quartet’s signature lightsticks. It’s one of over a dozen that I own, both second-generation stick-like lightsticks, and newer, more complexly designed bluetooth-able 3D ones. A source once described K-pop ligh
Notes on K-pop •

K-pop's third place love affair

RM: Sometimes as I grow up — and I’m between my chapter one and two, like I said, the group and solo; maybe I’m between music and maybe [visual] art, between that. So sometimes I really feel afraid, like, “What if I don’t like music anymore?” I love art. But it’s somewhat different. RM: It is. Music is like, it’s everywhere. I’m sad, but it’s everywhere. Sometimes I really feel afraid — like, music, it’s not my first thing anymore, sort of like that. Williams: Yeah. Then all of a sudden you go,
NME •

Rina Sawayama live in New York City: pop’s rising queen brings dance therapy to Brooklyn

“We have ninety minutes together, you and I,” Rina Sawayama tells the crowd at New York City’s Avant Gardener. “We’re going to go through a little journey.” There are no surprises set for the first of two nights in Brooklyn for Sawayama’s ‘Hold The Girl’ tour. She tells the audience exactly what to expect. “First, it’s going to be a little bit of rock pop,” she says. “Then we’re going to get a little dark and maybe a little bit of industrial, electronic pop. And then maybe we’ll get a little s
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